In what ways is this a gothic tale? – The Snow Child
-Creation of fear as a narrative priority
In the snow child, fear is created through conventional gothic
techniques, the unknown perhaps being the most important. Upon reading the
story, at no point is the reader able to predict, in my opinion, that the Count
would climb off his horse and rape the girl of his ‘desires’ who is in fact his
own daughter. The darkness and uncertainty of the situation creates a feeling
of vulnerability within the reader.
The typical fairytale beginning –‘I wish I had…’ repeated several times
sees familiarity being placed upon the reader, almost putting them into a false
sense of security as it follows that ‘the Count got off his horse and thrust
his virile member into the dead girl’.
-A blurring of reality and fantasy
It is clear in the beginning that the Count has a ‘fantasy’ and desire
for a girl who holds specific characteristics such as ‘… a girl as red as
blood’ and ‘…as white as snow’. Slowly as the story progresses the reader
becomes aware that the girl the Count has desired is his own daughter. This is
a blurring of reality and fantasy as his ‘fantasy’ for a specific ‘girl’ turns
out to be the product of his imagination, and his reproduction is his own daughter.
-Fondness for symbols of darkness and light
The incestuous, defiled nature of this story ultimately fits to the
theme of a fondness for darkness metaphorically. Carter has portrayed the
terror that women face at the hands of a male-dominated culture in the fiction
of the snow child as the incestuous nature of the Count is exposed. The
Countess is helpless in the dark situation of rape, although this can suggest
that woman have to compete and endure the fickle attention of men. In regards to light, the colours used
within the opening lines can be related to the Count’s dark desires. He wishes
for a girl ‘as white as snow’ with the colour white being linked to
purity, it can be seen as
demonstrative of the Count’s wish for ‘pure’ girl.
-Significant use of setting
The setting can be described as typically gothic. The ‘midwinter’
opening sets a bleak tone to the story as it establishes a negative connotation
connected with the gothic cold and chilling midwinter. The continuous references to nature can
be seen as demonstrative of the force of nature through pathetic fallacy. Despite the typical gothic setting of bleakness, the 'midwinter' 'immaculate' picture that is created can be drawn parallel to a fairytale as all seems 'superficially' pleasant.
Look again at your point on blurring reality and fantasy, I'm not sure your answer is correct (or at least worded in a way which seems correct).
ReplyDeleteTry and also produce slightly lengthier responses as that will give me a clearer indication on what I need to improve in my own teaching. At the minute you are exceptionally quiet in class, I am unsure whether this is because you are by nature a reserved individual, whether you're not paying attention or whether I've not explained things in enough detail to you.