Jean-Yves
The male characters throughout the story
are far from fairy tale-esque.(?) The narrators father is non existent, her
husband is without humanity and Jean-Yves is no exception; he is blind and
lacks the overwhelming power possessed by the Marquis. Jean-Yves can be
described as the typical portrayal of a person with a sensory impediment. His outstanding hearing and his ability
to tune pianos over compensate his lack of vision. Although his character plays
a diminished role in the story, his actions contribute to the fairy-tale ending
for the narrator.
Jean-Yves’ character provides a direct contrast
between him and the Marquis. He is first introduced by Carter with much less
importance than the marquis –‘he was a blacksmith’s son from the village across
the causeway… All most satisfactory.’ Immediately it is obvious that the
character is far from owning excessive wealth like the Marquis but has earned a
living through piano tuning although he still manages to engage the narrator
despite his social position. (Contrary to the Marquis as she recognized and
married him for his wealth) Through Jean-Yves’ lack of opulence, it may be
suggested that his lower social status than the Marquis and narrator enables
him to not outrank the narrator.
Carter has portrayed Jean-Yves’ character as
caring, considerate and interested in the narrators’ musical talent; unlike the
Marquis. His tentative approach and his polite nature are noted by the narrator
–‘He seemed to know that I had smiled… He had the most touchingly ingenuous
smile.’ It is clear his nature affects the narrator as she comments on his
physical appearance regardless of his disability. This is significant as the
sole reason she married the marquis was for his wealth, whilst comparably, it
is not until she converses with Jean-Yves that she realizes his true
capabilities; disregarding his social position.
The narrator describes Jean-Yves as
‘lovely, blind humanity’. This juxtaposes the stereotypical ideal of the
perfect man by Carter as his descriptions can be said to be more feminine than
masculine. However, in the end, the marriage of Jean-Yves and the narrator
means that due to his attentive, accommodating characteristics-‘no bride should
suffer so much…’- can hold an equal, balanced marriage, unlike dominated
relationship the narrator previously experienced.
In conclusion, Carter has created a
character that initially can be perceived as minor and irrelevant. This can be
disregarded once his physical shortfall and lack of wealth is overlooked by the
narrator to become an opportune hero.
Aren't these characters typical of fairy tales. The evil 'Lord', the plucky underdog and the damsel in distress?
ReplyDeleteThey are admittedly subverted somewhat by Jean Yves' blindness but this is a link to the power of the 'gaze'. The belief is that men can control women by the way we 'look' at them or present them to be 'looked at'. The marquis decorates his wife, makes her pleasing to 'gaze' upon, keeps his other wives as objects to be looked at via the ultimate act of control - their death. Jean Yves is incapable of these acts because he cannot see, he only hears and senses the woman (as you point out in your work).
His lower social status (and background as a blacksmiths son) could help a marxist interpretation (the proletariat and all that). Is his vulnerability what makes him appealing to the woman?
Consider why he is described as having 'humanity' rather than 'masculinity'.
If you think 'as a man' what does it say for us that we are only truly 'good' when we are blind.